MUSIC VIDEOS
The “Rosetta” music video divides its world between Earth and space. Scenes of the band inside Young’s house are polished and cinematic, grounding the story in something recognizably real. Once they leave Earth, the visual language changes.
The animated video, true eye candy from start to finish and created by Eli Lev of Lev Studio, extends that idea through scenes centered on friends, the beach and the freedom of driving along the coast. Rather than overcomplicating the song’s message, the visuals stay focused on youth, movement, and time spent together…
The animated video for “Godspeed,” directed, animated, and produced by Eli Lev of Lev Studio, gives the track a bold graphic-novel treatment. Framed like a moving comic book, the visual works in fiery orange-and-black tones, storm-heavy skies…
The accompanying music video for “MOTHERS” gives that international concept a visual counterpart. Computer-generated imagery is animated into scenes of mothers, women and children representing different cultural backgrounds, while titles and imagery reflect the song’s many language versions.
Spencer Sutherland puts himself squarely in the spotlight in the new music video for “Somebody’s Gonna Love Me.” Shot in a single uninterrupted take against a white background, the visual removes nearly everything except Sutherland and the song, leaving the performance to carry the moment.
Estani’s “Tú de Mí Te Acordarás” and “Déjame En Paz” are part of Tu De Mi Te Acordarás, a 15-track tribute to her grandmother, Rosita Lopez, a Conjunto and Bolero singer in San Antonio during the 1960s and ’70s whose music had nearly been lost to time. Check out the accompanying music videos!
The accompanying video for "Naptown Blues" from HIP Video Productions uses public-domain material from the 1920s, including newspaper clippings, photographs of entertainment venues and other period images.
Hand-drawn and animated by Miranda Parkin, and directed by Parkin and The Capsules, the “Full Moon Factory” video pushes the song deeper into its strange, moonlit world. Handmade animation and an eerie playfulness turn the song’s mood into something you can actually see.
Boston-based Major Spark, led by songwriter and vocalist Mark Goodman of Magnet and producer and multi-instrumentalist Brian Charles of Rare Signals, has released “I Love This Country,” the latest single from their third studio album, Kill The Truth. Watch the lyric video now.
The accompanying video for “House Lights”, directed by Danny Brown, approaches those questions from another angle. Its central character is a ghost who does not realize he is a ghost, existing with a foot in two different worlds.
Los Angeles singer, songwriter, and performer ALONZO presents the official music video for “WORTHY,” a vocal-driven anthem about knowing what you deserve and refusing to abandon yourself in order to be loved.
‘loser’ continues a defining 2026 chapter for pami, following the success of ‘cry jar’ and ‘all in’ as she pushes the intimate and confessional storytelling that first connected her with listeners into increasingly ambitious territory.
Mya’s “Give It To You” video gives the song a sunlit California setting. Shot outdoors in Venice Beach, it draws from the Minneapolis sound associated with Prince and Jam & Lewis, while its grainy visual style nods to Breakin’.
Michael Lee Pinder does not write “Phantom Firefly (Glow)” like a lesson, even though there is one inside it. Watch his accompanying lyric video now!
Filmed in and around New York’s Central Park on April 23rd, 2026, the day after the 57th annual Earth Day, the video began without a formal plan. Singh and director Bruno Calvis had a few free hours that morning, and rather than simply pass the time, Singh suggested they create something.
The “Sauvecito” music video brings that feeling into a visual world shaped by strength, confidence and nostalgia. Built around the iconic image of Rosie the Riveter, the concept draws from her enduring message of determination, using that influence to guide the dancers’ wardrobe and overall visual direction.
Directed by Mazerati Byrd and Tru viewz Films, the video extends the record’s atmosphere through sensual, strip-club-inspired visuals. Rather than forcing a complicated narrative onto the song, it stays close to movement, attraction and performance. Beautiful women appear dancing on a stripper pole and against a vivid red backdrop…
The accompanying “I’m In A Change” video, filmed by Charlotte-based videographer Ron Bridges, places Holland beside a lake in Charlotte, as he reflects on life-changing choices and spiritual growth. Holland is now recording new music and writing a follow-up to his book “Sweet Inspiration,”…
In the “Can’t Lose” music video, Bally540 raps alongside his crew in a bright studio as selected lyrics flash across the screen, giving the clip a raw, performance-driven energy that matches the record’s directness.
The video for "The Hills of Silver Lake" was shot and edited by director Michael Pottle. It unfolds like a kaleidoscope of California memories, with shifting images and a dreamlike sense of place that match the song’s nostalgic tone.
The clip has the strangeness of a supernatural basketball fantasy, but it does not leave the record in the dark. By the end, the shadows lift into a cleaner, sunnier finish with another Rosen/Franco/Aster song “Live Right Now”, giving “Bring The Madness” the visual release it needs as Robbie Rosen x Interstate Snake take the song into its next run.
Reachel Singh’s “Warrior” embodies a calm understanding of strength. The song looks inward, framing courage not as force or confrontation but as the willingness to face fear, conditioning, limitation, and the parts of ourselves that resist change. Watch the accompanying clip now.
Sandefur has been back in the studio recording new material toward a full EP. For now, “Pensacola Rollin’” reflects where he is today: a country-rock song drawn from the city, its landmarks, and the everyday life he has chosen to call his own.
The accompanying video for “To Warm a Cold Heart” was created and produced by Pedro Salvador and Pedro Martinho and filmed in Portugal. Its concept stays close to the recording process, showing the group setting up and working together on the song.
The accompanying lyric video for “"I'm Going Back To Tennessee" from HIP Video Productions keeps the period feel intact. Footage from the 1920s and 1930s plays through an old, fuzzy tube television, giving the video a worn, aged appearance while keeping Carr’s words and Wyze’s vocals front and center.
Bro Kendricks El is not treating “143” like a simple love song. For the Detroit artist, the new single and video come from a place he says once felt far away from love altogether.
In the “One Stupid Owner” self-directed music video, Jeff Schubert playfully pokes fun at Doras’ unshakable salesmanship, taking his super-agent bravado to the extreme. For as long as the much-discussed salary cap never materializes,
Considering the Captain’s latest offering is called “Infection,” listeners might initially brace for something dark and cynical, sardonic, or spooky. Check out the accompanying music video now!
The “Run Away” video flips the expected wedding-crasher plot. Instead of a man rushing in to reclaim the bride, the groom is still drawn to an ex, and the interruption turns him into the runaway. Shot in Anguilla, including Green Space park…
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