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In the “Maynard’s Song” music video, there are no black cats to be found, but black silhouettes sway and swirl with the melody as Maya Lumen and her band lose themselves in the song, like abstract visions of the notes brought to life.
In the “Keep The Feel In” music video, Michelle Galas takes to the streets, commanding them as if they’re the only streets she’s ever walked. Infused with bold visual effects, quick cuts, and shimmering cityscapes, the self-directed visual radiates an air of levity, putting her passion and positivity on full display.
Amplified by Synth’s quick cuts and vibrant aesthetic, “Take A Shot” becomes less of a command and more of a knowing nudge, an invitation to “shoot that three-pointer,” shoot that video, or take any of the chances once left on the table. The only thing that matters is tonight—and as long as the drinks keep coming, the soiree rolls on.
In the “Flavor” music video, as A-Wax 1 Million delivers his bars in graffiti-covered back alleys and parking lots stitched into Washington’s urban landscape, the air of aggression feels anything but performative. It mirrors the real-life volatility of his past—trouble, tension, and a shrug toward consequences…
In the “Not Dead Yet” music video, Ron Brunk is poised at his “magic piano,” but he seems more interested in singing to himself than the viewer; his back is to the camera for the first 20 seconds. It’s the first taste of the ridiculous, hilarious escape that only Ron Brunk could create...
To kick off the new year, Anaïs & The Hoops unveils the music video for "Growing Pains," a standout track from her debut EP of the same name. With "Growing Pains," Anaïs explores love through the lens of friendship.
The "Rewrite the Past" music video quite literally shines a spotlight on the performers at their best—grooving like nobody’s watching, feeling the vibrations through the floorboards, and working together to breathe life into this moody, irresistible tale.
The vibrant “The Guitar Man” music video, directed by filmmaker Joe Rubenstein, bottles the electricity of being in the crowd at a Pink Floyd or Radiohead performance—that transcendent moment when the performers give everything, and the sound hits so hard, so completely, it feels like liftoff.
It’s the first taste of the off-kilter atmosphere brought to life in collaboration with Madison filmmaker Claudia Krogmeier, a specialist in experimental visual storytelling, whose open-ended narratives steeped in metaphor and surrealism prove the perfect partner to expand the scope of the “Subtle Hurts” music video.
As Tasevski-Fitz steps into the role of one of these clout-chasers, anyone who spends time on social media will find the playful, over-dramatized scenarios in the “#FollowMe” music video eerily familiar—from the cleverly-angled livestream setups…
BOSCO opens the “One Goodbye” music video with a striking quote: “The wound is the place where the Light enters you.” In his poems, Rumi often explored love, spirituality, sorrow, passion, and loss—illuminating the human condition and the beauty of connection.
Teaming up with director Nayip Ramos and a team of like-minded creatives, hachajah gives form to the inner workings of the human mind, unearthing a desolate reality smothered in dirt, grime, doom, and gloom.
The plush melodrama of “Still Want To Go On” practically begs for a romantic montage, and the music video delivers exactly that. Opening with a black-and-white shot of a pair of lovers sprinting in tandem across the sand…
With their new music videos, “Brainstorming” and “Knowledge of Shelf,” Shaheed & DJ Supreme craft two revolutionary stories of education, mindfulness, and the belief that art can spark meaningful change.
Designed once again from a collage of photos and video clips, the “Windowsill Cat” visual offers a much-needed escape from the “outrageous world” beyond the glass, transforming Ron Brunk’s real-life feline friends into living works of art.
Fast-rising British Mauritian singer, songwriter and musician Lavaud returns with her music video for “Change Clothes (Remix)”, featuring GRAMMY Award-winning rap artist and songwriter Pardison Fontaine.
Watching the “Not Until It’s Right” music video feels like stepping into James, Mike, and Paul’s own studio—witnessing the song come to life through the eyes of the musicians who brought it to. It may not actually be their personal space…
Ohio based singer-songwriter Ozzie D. has just released music videos for her songs, “Christmas Time Again", "Santa Clause Song" and "Fine Ole Christmas". Check them out now!
Waves_On_Waves just unveiled his music videos for “Dangerous” and “Started Catching Feelings”. Check out both clips now!
There are few matters of the heart more powerful than an irresistible crush blooming on the night of a high school prom. Teaming up once again with Cold Creek Productions, the “Ever Wanted” music video feels like stepping back into that gym, auditorium, or community hall…
Just as easily as “Bag In Hand” could score a cyberpunk film, it could just as easily soundtrack a larger-than-life anime about love on the brink. Fortunately, viewers don’t have to imagine it…
Shot guerrilla-style at dawn, the “Pining Time (Remix)” video traded film crews for spontaneity. Kerry Kenny ran through real streets—past cabs, bodegas, and empty intersections—capturing the strange calm before the city erupts into motion.
No detail in the “Dark Days” lyric video is left to chance; every element works together to unfold a deeply relatable story of inner turmoil and ultimate triumph—holding up a mirror to the unseen battles people face every day.
The “Remember in November” music video paints this dreamy, rarely seen portrait of Halifax—a city every bit as romantic as New York, Paris, or any other capital of love. With its cinematic style, it feels less like a traditional music video and more like a tender short film…
In a way, the “Camouflage” music video feels like Milky Chance fully committing to their aesthetic—another chance for audiences to immerse themselves in the band’s retro, surreal universe: a one-way ticket to sun-soaked destinations suspended in time and drenched in color.
The “My Tears Grew Roses” music video provides an intimate glimpse into Nya’s recent tour journey, like flipping through the pages of her digital scrapbook. Each clip—on stage and behind-the-scenes—paints a vivid…
The Jorge Newman–directed video for “Para Mi Gente”, executive produced by Mr. Tiger, expands that message visually, unfolding like a love letter to Los Angeles — its neighborhoods, its history, its endurance. Shot across the city, it celebrates Chicano & Latino identity through street-level storytelling of humble beginnings…
In “Finbar,” Kerry Kenny channels a woman driven half-mad by repeating one, until it spills into drums, wild dancing, and ink scrawled only to be set alight. Watch its music video now!
In the “Sovereign State” music video, director Dirty Diggs captures Pure Order weaving through the stimulating exhibits in and around the iconic Griffith Observatory—a familiar spot for SoCal locals and tourists alike.
Mirroring the aesthetic of Belle VEX’s last installment, “Nobody, But Me,” the “Mania” music video positions him as an artist steadily carving out a bold signature style—one that exposes a previously unexplored, unrefined edge to his artistry.