MUSIC VIDEOS

The accompanying music video, directed by City James with creative direction by Derek Brown, brings the song to life through a late-’80s house party. Released on Mýa’s birthday, October 10, 2026, the visual follows the evening from the getting-ready process and pre-party excitement to the celebration itself.

The accompanying music video uses live footage, leaning into the energy and swagger that have long defined The Dead Daisies. With the band performing rather than following a scripted storyline, it is a direct…

Brooklyn-based So Brown has spent much of life finding refuge in music and the natural world. That history gives “All Roads” its weight: the piano-and-vocal song grew alongside the realization that Brown had to let go of a wild place in the mountains of upstate New York, a decision that brought grief. Check out the accompanying music video.

The animated video, directed by Uncle Ryano, pushes the joke even further. Styled like an ’80s cartoon, it follows the turkeys breaking out of their pen and taking on farmers, pilgrims, Native Americans, and even Santa Claus. At points, the birds appear in karate outfits, keeping the visual tone as playful as the song itself.

The video extends that melancholy into a sketchbook-like world of black-and-white pencil animation. Faceless figures move through the story as if drawn onto notebook pages, while a broken heart gives way to reunion and dance.

The accompanying lyric video follows the song’s story, tracing a relationship that has reached its breaking point and the decision to finally walk away. As the tension builds, the visuals move from conflict and resignation to packing up, leaving and heading down the road.

Directed and CG-designed by Kota Kawamura, the video keeps BUTCHIE at its center as visual disruptions unfold around him, reflecting the chaos and stalled movement at the center of the song. Shot in real time in an LED-lined studio, it uses spinning graphics, shifting walls of imagery and…

Directed by Adam Seitz, the accompanying “The Mariner” music video deliberately keeps the approach simple. Rather than forcing a storyline around the song, it centers on Say Lonely performing and lets that performance carry the visual.

The music video for "Know You Like I Do", directed by Dan Voss Jr. and Michelle Voss Ortez, keeps the focus where the song does: on Rose Wade. With Jacob Hauenstein serving as director of photography and editor and Voss producing, the performance-centered clip keeps her in the spotlight, allowing the lyric to register...

The “Rosetta” music video divides its world between Earth and space. Scenes of the band inside Young’s house are polished and cinematic, grounding the story in something recognizably real. Once they leave Earth, the visual language changes.

The animated video, true eye candy from start to finish and created by Eli Lev of Lev Studio, extends that idea through scenes centered on friends, the beach and the freedom of driving along the coast. Rather than overcomplicating the song’s message, the visuals stay focused on youth, movement, and time spent together…

The animated video for “Godspeed,” directed, animated, and produced by Eli Lev of Lev Studio, gives the track a bold graphic-novel treatment. Framed like a moving comic book, the visual works in fiery orange-and-black tones, storm-heavy skies…

The accompanying music video for “MOTHERS” gives that international concept a visual counterpart. Computer-generated imagery is animated into scenes of mothers, women and children representing different cultural backgrounds, while titles and imagery reflect the song’s many language versions.

Spencer Sutherland puts himself squarely in the spotlight in the new music video for “Somebody’s Gonna Love Me.” Shot in a single uninterrupted take against a white background, the visual removes nearly everything except Sutherland and the song, leaving the performance to carry the moment.

Estani’s “Tú de Mí Te Acordarás” and “Déjame En Paz” are part of Tu De Mi Te Acordarás, a 15-track tribute to her grandmother, Rosita Lopez, a Conjunto and Bolero singer in San Antonio during the 1960s and ’70s whose music had nearly been lost to time. Check out the accompanying music videos!

The accompanying video for "Naptown Blues" from HIP Video Productions uses public-domain material from the 1920s, including newspaper clippings, photographs of entertainment venues and other period images.

Hand-drawn and animated by Miranda Parkin, and directed by Parkin and The Capsules, the “Full Moon Factory” video pushes the song deeper into its strange, moonlit world. Handmade animation and an eerie playfulness turn the song’s mood into something you can actually see.

Boston-based Major Spark, led by songwriter and vocalist Mark Goodman of Magnet and producer and multi-instrumentalist Brian Charles of Rare Signals, has released “I Love This Country,” the latest single from their third studio album, Kill The Truth. Watch the lyric video now.

The accompanying video for “House Lights”, directed by Danny Brown, approaches those questions from another angle. Its central character is a ghost who does not realize he is a ghost, existing with a foot in two different worlds.

Los Angeles singer, songwriter, and performer ALONZO presents the official music video for “WORTHY,” a vocal-driven anthem about knowing what you deserve and refusing to abandon yourself in order to be loved.

‘loser’ continues a defining 2026 chapter for pami, following the success of ‘cry jar’ and ‘all in’ as she pushes the intimate and confessional storytelling that first connected her with listeners into increasingly ambitious territory.

Mya’s “Give It To You” video gives the song a sunlit California setting. Shot outdoors in Venice Beach, it draws from the Minneapolis sound associated with Prince and Jam & Lewis, while its grainy visual style nods to Breakin’.

Michael Lee Pinder does not write “Phantom Firefly (Glow)” like a lesson, even though there is one inside it. Watch his accompanying lyric video now!

Filmed in and around New York’s Central Park on April 23rd, 2026, the day after the 57th annual Earth Day, the video began without a formal plan. Singh and director Bruno Calvis had a few free hours that morning, and rather than simply pass the time, Singh suggested they create something.

The “Sauvecito” music video brings that feeling into a visual world shaped by strength, confidence and nostalgia. Built around the iconic image of Rosie the Riveter, the concept draws from her enduring message of determination, using that influence to guide the dancers’ wardrobe and overall visual direction.

Directed by Mazerati Byrd and Tru viewz Films, the video extends the record’s atmosphere through sensual, strip-club-inspired visuals. Rather than forcing a complicated narrative onto the song, it stays close to movement, attraction and performance. Beautiful women appear dancing on a stripper pole and against a vivid red backdrop…

The accompanying “I’m In A Change” video, filmed by Charlotte-based videographer Ron Bridges, places Holland beside a lake in Charlotte, as he reflects on life-changing choices and spiritual growth. Holland is now recording new music and writing a follow-up to his book “Sweet Inspiration,”…

In the “Can’t Lose” music video, Bally540 raps alongside his crew in a bright studio as selected lyrics flash across the screen, giving the clip a raw, performance-driven energy that matches the record’s directness.

The video for "The Hills of Silver Lake" was shot and edited by director Michael Pottle. It unfolds like a kaleidoscope of California memories, with shifting images and a dreamlike sense of place that match the song’s nostalgic tone.

The clip has the strangeness of a supernatural basketball fantasy, but it does not leave the record in the dark. By the end, the shadows lift into a cleaner, sunnier finish with another Rosen/Franco/Aster song “Live Right Now”, giving “Bring The Madness” the visual release it needs as Robbie Rosen x Interstate Snake take the song into its next run.