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The vibrant “The Guitar Man” music video, directed by filmmaker Joe Rubenstein, bottles the electricity of being in the crowd at a Pink Floyd or Radiohead performance—that transcendent moment when the performers give everything, and the sound hits so hard, so completely, it feels like liftoff.
It’s the first taste of the off-kilter atmosphere brought to life in collaboration with Madison filmmaker Claudia Krogmeier, a specialist in experimental visual storytelling, whose open-ended narratives steeped in metaphor and surrealism prove the perfect partner to expand the scope of the “Subtle Hurts” music video.
As Tasevski-Fitz steps into the role of one of these clout-chasers, anyone who spends time on social media will find the playful, over-dramatized scenarios in the “#FollowMe” music video eerily familiar—from the cleverly-angled livestream setups…
BOSCO opens the “One Goodbye” music video with a striking quote: “The wound is the place where the Light enters you.” In his poems, Rumi often explored love, spirituality, sorrow, passion, and loss—illuminating the human condition and the beauty of connection.
Teaming up with director Nayip Ramos and a team of like-minded creatives, hachajah gives form to the inner workings of the human mind, unearthing a desolate reality smothered in dirt, grime, doom, and gloom.
The plush melodrama of “Still Want To Go On” practically begs for a romantic montage, and the music video delivers exactly that. Opening with a black-and-white shot of a pair of lovers sprinting in tandem across the sand…
With their new music videos, “Brainstorming” and “Knowledge of Shelf,” Shaheed & DJ Supreme craft two revolutionary stories of education, mindfulness, and the belief that art can spark meaningful change.
Designed once again from a collage of photos and video clips, the “Windowsill Cat” visual offers a much-needed escape from the “outrageous world” beyond the glass, transforming Ron Brunk’s real-life feline friends into living works of art.
Fast-rising British Mauritian singer, songwriter and musician Lavaud returns with her music video for “Change Clothes (Remix)”, featuring GRAMMY Award-winning rap artist and songwriter Pardison Fontaine.
Watching the “Not Until It’s Right” music video feels like stepping into James, Mike, and Paul’s own studio—witnessing the song come to life through the eyes of the musicians who brought it to. It may not actually be their personal space…
Ohio based singer-songwriter Ozzie D. has just released music videos for her songs, “Christmas Time Again", "Santa Clause Song" and "Fine Ole Christmas". Check them out now!
Waves_On_Waves just unveiled his music videos for “Dangerous” and “Started Catching Feelings”. Check out both clips now!
There are few matters of the heart more powerful than an irresistible crush blooming on the night of a high school prom. Teaming up once again with Cold Creek Productions, the “Ever Wanted” music video feels like stepping back into that gym, auditorium, or community hall…
Just as easily as “Bag In Hand” could score a cyberpunk film, it could just as easily soundtrack a larger-than-life anime about love on the brink. Fortunately, viewers don’t have to imagine it…
Shot guerrilla-style at dawn, the “Pining Time (Remix)” video traded film crews for spontaneity. Kerry Kenny ran through real streets—past cabs, bodegas, and empty intersections—capturing the strange calm before the city erupts into motion.
No detail in the “Dark Days” lyric video is left to chance; every element works together to unfold a deeply relatable story of inner turmoil and ultimate triumph—holding up a mirror to the unseen battles people face every day.
The “Remember in November” music video paints this dreamy, rarely seen portrait of Halifax—a city every bit as romantic as New York, Paris, or any other capital of love. With its cinematic style, it feels less like a traditional music video and more like a tender short film…
In a way, the “Camouflage” music video feels like Milky Chance fully committing to their aesthetic—another chance for audiences to immerse themselves in the band’s retro, surreal universe: a one-way ticket to sun-soaked destinations suspended in time and drenched in color.
The “My Tears Grew Roses” music video provides an intimate glimpse into Nya’s recent tour journey, like flipping through the pages of her digital scrapbook. Each clip—on stage and behind-the-scenes—paints a vivid…
The Jorge Newman–directed video for “Para Mi Gente”, executive produced by Mr. Tiger, expands that message visually, unfolding like a love letter to Los Angeles — its neighborhoods, its history, its endurance. Shot across the city, it celebrates Chicano & Latino identity through street-level storytelling of humble beginnings…
In “Finbar,” Kerry Kenny channels a woman driven half-mad by repeating one, until it spills into drums, wild dancing, and ink scrawled only to be set alight. Watch its music video now!
In the “Sovereign State” music video, director Dirty Diggs captures Pure Order weaving through the stimulating exhibits in and around the iconic Griffith Observatory—a familiar spot for SoCal locals and tourists alike.
Director Flick Wiltshire, a video producer working with top tier artists across the Nashville and Pensacola scenes, and the visionary behind the goofy “Day By Day” music video, knew that this was exactly the kind of spot he could find a band like Heavy Kid—a down to earth, accessible group that knows how to start a party…
The very first line in the description of the “Last Quarter” music video cuts straight to the point with a very important question: “What's better than a million Unicorns?” And while the video technically only features three, they make a pretty convincing case for themselves.
As in many of her stunning visuals, Daisy Briggs invites viewers into one of her favorite places—her truck—winding down country roads, soaking in the scenery and fresh air. From the start, her presence radiates lightness, joy, and prosperity.
Since stepping onto the scene, Dave Luv and go-to hip-hop visual producer Nicholas Jandora have been inseparable, working together on each of Luv’s music videos to establish his vibrant aesthetic—and “Let It Go” playfully unfurls a narrative of lost love in classic Dave Luv fashion.
The well-crafted, fully realized animated music video—thoughtful, vibrant, and bursting with creativity—was built from pictures and video clips, including one of Brunk himself doing his best, youthfully exuberant Bob Dylan, to form the framework of “Mr. Hank.”
As Leonardo DaVinci said, “simplicity is the ultimate sophistication,” and SERIOUS VOICE takes this to heart in the “99 Problems” music video. Working together with director Bronx Emcee, the visionary partner behind many of her visuals, she gives a literal interpretation of purity and cleanliness…
Sean Griffin’s versatility as a songwriter bursts through on his latest single, “Rocks Off.” Watch the accompanying music video now.
The "Rewrite the Past" music video quite literally shines a spotlight on the performers at their best—grooving like nobody’s watching, feeling the vibrations through the floorboards, and working together to breathe life into this moody, irresistible tale.