Spencer Sutherland puts himself squarely in the spotlight in the new music video for “Somebody’s Gonna Love Me.” Shot in a single uninterrupted take against a white background, the visual removes nearly everything except Sutherland and the song, leaving the performance to carry the moment.

Hand-drawn and animated by Miranda Parkin, and directed by Parkin and The Capsules, the “Full Moon Factory” video pushes the song deeper into its strange, moonlit world. Handmade animation and an eerie playfulness turn the song’s mood into something you can actually see.

Boston-based Major Spark, led by songwriter and vocalist Mark Goodman of Magnet and producer and multi-instrumentalist Brian Charles of Rare Signals, has released “I Love This Country,” the latest single from their third studio album, Kill The Truth. Watch the lyric video now.

The accompanying video for “House Lights”, directed by Danny Brown, approaches those questions from another angle. Its central character is a ghost who does not realize he is a ghost, existing with a foot in two different worlds.

Michael Lee Pinder does not write “Phantom Firefly (Glow)” like a lesson, even though there is one inside it. Watch his accompanying lyric video now!

The accompanying lyric video for “"I'm Going Back To Tennessee" from HIP Video Productions keeps the period feel intact. Footage from the 1920s and 1930s plays through an old, fuzzy tube television, giving the video a worn, aged appearance while keeping Carr’s words and Wyze’s vocals front and center.

While this may be a “Lone Wolf Party,” the accompanying music video feels anything but lonesome. Pop in a VHS tape, follow the neon lights, and get lost in a retro, glitchy wonderland suspended in time.

In the "Me Embrujaste" music video, directed by Ed Sanchez, Embrujaste turns the traditional imagery of curanderismo on its head, exploring what happens when "happily ever after" is just one bite away.

Carrying that dream forward into uncertain days, "No Kings" remains less a proclamation than a question, as people stand hand in hand, prevailing against the powers that continue to try to strike their constitution down.

Linder Ave Band’s single, “What Are the Chances”, is a bright, feel‑good pop‑rock track about the unexpected ways people cross paths and fall in love. Built on warm guitars, a driving groove, and an instantly memorable hook, the song blends modern pop polish with classic rock charm.

Future Mondays has just unveiled "Faithlessly", the first of four releases as the follow-up to 2023's self-titled EP. The track was produced by Grammy nominee Tom Gardner at Rift Studios.

As Winton’s first official music video, the stripped-back concept is a reminder of just how artful an indie performance visual can be, drawing listeners inward through the passion of the moment, wading through a lifetime of memories and infinite possibilities.

Swapping the late-night breakfast chain for a livelier setting, the “Jukebox Brawl” music video invites viewers to relive the infamous Friday night at the beloved and iconic Rusty Nail in Nashville, where Easterly narrates a bubbling altercation…

Cowboy Mouth's official music video unfurls like a dazzling reel of these iconic femme fatales and their brooding counterparts, woven into a tapestry of iconic American imagery that captures the zeitgeist of a bygone era.

Bolstered by Divergent’s engrossing, R&B-inspired melody, the accompanying “I Really Want To Love You (So Bad)” lyric video subtly amplifies the indomitable pull of this bittersweet romance. Brought to life in collaboration with HIP Video Production…

The music video for “The Wheel”, recorded, edited, and directed by Hoy himself, continues the thread of astute societal observation, stealthily commenting on the current state of governance and culture in North America.

Backed by the swaying scenery of the idyllic Pearlstone Amphitheater on a pleasant October afternoon, the “I Ride Alone” live performance video is as soothing as it gets, inviting listeners to pull up a lawn chair of their own, enjoy the unseasonably warm sunshine…

If the “Gift Or A Curse” music video seems eerily familiar, it might trigger memories of a certain soundstage performance that swept the nation in the summer of 1979. The Knack’s “My Sharona” music video helped cement the clean-cut, musicians-in-ties aesthetic that defined that era of music.

The stellar "Phantom Firefly (Glow)" music video is a testament to what can happen when the light within finally peeks out, revealing the true colors underneath.

The “Be My Lover” music video puts viewers right in the eye of the storm, spinning Infamous HER around their recording studio with a 360-degree camera as they rip into an electrifying performance.