Chicago-based duo Definitely Maybe return with “Beginning To End”, a powerful six-song EP produced by Kevin McCombs, Check out "Forgive Me (For Forgetting)", one of the featured tracks on the EP.

Watching the “Not Until It’s Right” music video feels like stepping into James, Mike, and Paul’s own studio—witnessing the song come to life through the eyes of the musicians who brought it to. It may not actually be their personal space…

Just as easily as “Bag In Hand” could score a cyberpunk film, it could just as easily soundtrack a larger-than-life anime about love on the brink. Fortunately, viewers don’t have to imagine it…

Shot guerrilla-style at dawn, the “Pining Time (Remix)” video traded film crews for spontaneity. Kerry Kenny ran through real streets—past cabs, bodegas, and empty intersections—capturing the strange calm before the city erupts into motion.

The “Remember in November” music video paints this dreamy, rarely seen portrait of Halifax—a city every bit as romantic as New York, Paris, or any other capital of love. With its cinematic style, it feels less like a traditional music video and more like a tender short film…

In “Finbar,” Kerry Kenny channels a woman driven half-mad by repeating one, until it spills into drums, wild dancing, and ink scrawled only to be set alight. Watch its music video now!

Director Flick Wiltshire, a video producer working with top tier artists across the Nashville and Pensacola scenes, and the visionary behind the goofy “Day By Day” music video, knew that this was exactly the kind of spot he could find a band like Heavy Kid—a down to earth, accessible group that knows how to start a party…

The very first line in the description of the “Last Quarter” music video cuts straight to the point with a very important question: “What's better than a million Unicorns?” And while the video technically only features three, they make a pretty convincing case for themselves.

Since stepping onto the scene, Dave Luv and go-to hip-hop visual producer Nicholas Jandora have been inseparable, working together on each of Luv’s music videos to establish his vibrant aesthetic—and “Let It Go” playfully unfurls a narrative of lost love in classic Dave Luv fashion.

Sean Griffin’s versatility as a songwriter bursts through on his latest single, “Rocks Off.” Watch the accompanying music video now.

Because “The Heart of America” is “the song of you and me,” the music video shines a spotlight on the very people, places, and stories that make the nation great—a diverse tapestry of fighters, dreamers, and doers.

Greater Philly based Ophelia Moon has just revealed their new single, "Avatar: Encryption Code", a cautionary song regarding the danger of artificial intelligence.

Toronto dream-pop artist ARK IDENTITY (Noah Mroueh) unveils his most expansive work yet with Deluxe Nightmare, a surreal and euphoric six-track EP that captures the tension between chaos and clarity.

“Miss You Like Crazy” marks Spleen United’s first release since last year’s trippy yet calm and warm album, ’The Blur of Zebras’. With this new single, the band leans into a more radical, dance- and rave-inspired sound.

Divergent knows precisely how to channel the raw hunger for escape—even in the studio—emulating the feel of a live radio station performance. Viewers paying close attention will feel the palpable enthusiasm in the room and might even detect Divergent’s secret weapon…

No longer just a myth or old sailors' folklore, the “Three Sisters” music video brings this chilling phenomenon to life—playing out the story in real time and putting ethereal, ghostly faces to its unassuming name. Tomorsky and Johnsmiller serve as omniscient narrators…

In this new video for “Machines,” the members of the band become pure crackling static, spiky, vaguely human-shaped white lines on a black background, a tangle of wire, a crushed schematic, a neural network, a visual expression of angular sound.

Eddie Van Halen surely would have liked Maria Ramirez-Adams's clip for "She's Alright". He would have appreciated Craig Parker Adams's cherry red guitar, his demonstrations of technique, the neon '80s aesthetic, and the provocative images of women.

Without explicitly detailing anything, leaning into the track’s air of mystery, the dystopian, dramatic “My Angel Does” music video unfurls a loose narrative almost anyone can relate to: a lost soul searching for answers, unsure where to turn, and a radiant, guiding force lighting the way through darkness and uncertainty.

“The Highway” music video perfectly captures the rush of emotions that bubble up and overflow on a long, winding drive towards destiny. As Nate Currin makes his way up from Nashville to Michigan, weaving through endless stretches of sprawling fields…