The accompanying lyric video for “Abused” allows each scathing sentiment to truly sink in, providing listeners a space to step into the narrator’s shoes and imagine the misery of a life lived in the shadows—her harrowing truth dismissed without a second thought.

The “Rise Up” music video is where The Tennessee Werewolves truly flex their renewed creative muscles, unveiling an enthralling visual aesthetic that mirrors the raw, dramatic atmosphere of their new era.

“Homunculus” is just one of many ambitious visuals released alongside this project—but arguably the boldest, forcing viewers to not just sit with, but to dissect the implications of its wicked metaphor.

Watching the “Lost On You” music video by Nuke The Soup, directed by Aspen native Danny Brown, is like watching that real-life dream transform into a cosmic wonderland where the imagination can run free.

Gotye’s modern classic, “Somebody That I Used To Know,” is steeped in melancholy, tender to the touch, a raw testament to a heartbroken, embittered lover that once took the world by storm. But after fourteen years, the dust has settled, making room for a fresh take on the enthralling original.

These bonded friends, “born outta step with the world,” have found rhythm in each other, with The Infamous HER setting the tempo. In their orbit, individuality becomes choreography, and every misfit finds their own step.

Check out the newly released music video for "HOLE (Until Dawn Remix)" by award-winning singer-songwriter, producer, and entrepreneur Denise Marsa right now!

Fast-rising Birmingham rap artist WOHDEE kicks off 2026 with a captivating new video for ‘NO BEHAVIOUR (WYFL RIDDIM)’, the viral freestyle she dropped during a Boxing Day holiday in Jamaica.

Mirroring the aesthetic of Belle VEX’s last installment, “Nobody, But Me,” the “Mania” music video positions him as an artist steadily carving out a bold signature style—one that exposes a previously unexplored, unrefined edge to his artistry.

In the “Maynard’s Song” music video, there are no black cats to be found, but black silhouettes sway and swirl with the melody as Maya Lumen and her band lose themselves in the song, like abstract visions of the notes brought to life.

In the “Keep The Feel In” music video, Michelle Galas takes to the streets, commanding them as if they’re the only streets she’s ever walked. Infused with bold visual effects, quick cuts, and shimmering cityscapes, the self-directed visual radiates an air of levity, putting her passion and positivity on full display.

Amplified by Synth’s quick cuts and vibrant aesthetic, “Take A Shot” becomes less of a command and more of a knowing nudge, an invitation to “shoot that three-pointer,” shoot that video, or take any of the chances once left on the table. The only thing that matters is tonight—and as long as the drinks keep coming, the soiree rolls on.

In the “Flavor” music video, as A-Wax 1 Million delivers his bars in graffiti-covered back alleys and parking lots stitched into Washington’s urban landscape, the air of aggression feels anything but performative. It mirrors the real-life volatility of his past—trouble, tension, and a shrug toward consequences…

In the “Not Dead Yet” music video, Ron Brunk is poised at his “magic piano,” but he seems more interested in singing to himself than the viewer; his back is to the camera for the first 20 seconds. It’s the first taste of the ridiculous, hilarious escape that only Ron Brunk could create...

To kick off the new year, Anaïs & The Hoops unveils the music video for "Growing Pains," a standout track from her debut EP of the same name. With "Growing Pains," Anaïs explores love through the lens of friendship.

The "Rewrite the Past" music video quite literally shines a spotlight on the performers at their best—grooving like nobody’s watching, feeling the vibrations through the floorboards, and working together to breathe life into this moody, irresistible tale.

The vibrant “The Guitar Man” music video, directed by filmmaker Joe Rubenstein, bottles the electricity of being in the crowd at a Pink Floyd or Radiohead performance—that transcendent moment when the performers give everything, and the sound hits so hard, so completely, it feels like liftoff.

It’s the first taste of the off-kilter atmosphere brought to life in collaboration with Madison filmmaker Claudia Krogmeier, a specialist in experimental visual storytelling, whose open-ended narratives steeped in metaphor and surrealism prove the perfect partner to expand the scope of the “Subtle Hurts” music video.

As Tasevski-Fitz steps into the role of one of these clout-chasers, anyone who spends time on social media will find the playful, over-dramatized scenarios in the “#FollowMe” music video eerily familiar—from the cleverly-angled livestream setups…

BOSCO opens the “One Goodbye” music video with a striking quote: “The wound is the place where the Light enters you.” In his poems, Rumi often explored love, spirituality, sorrow, passion, and loss—illuminating the human condition and the beauty of connection.