Jason Owens is a congenial presence in the “Party Like You” video. So, too, is his girl. Bob Mills’s camera catches Owens at a hopping party, and though he’s having a good time there, it can’t compete with the pure liveliness that’s happening back at home.

The "Panic!" video looks fantastic - and there's a reason for that. It was directed by Alejandro Montoya Marin — the same man behind the camera for Millennium Bugs. He returned the group's favor with a clip that amplifies the Carbon County mythology. He's also brought along a famous friend: the veteran comic actor Tommy Chong, who plays the gruff manager of the Desi's Coin Laundry on Pico Boulevard in Los Angeles.

In the clip for "I'll Be Ok," which is our NN Music Video of the Week, we discover Nya in her new home of José Ignacio, Uruguay. Through the series of camcorder-captured vignettes, we follow her into libraries and beaches, amongst prairies and pines.

The Bronx’s own $pend Money Kwam has just released with his brand new single entitled “Old Kwam”, which he produced himself. We’re huge fans of this DOPE track, and designated it as our Song of the Week.

Eleanor’s new single, “Waste My Time,” was inspired by a friendship that was tiptoeing into a relationship. The title encompasses the chorus and the thesis of the song. It’s also connected to the theme that ties this whole body of work together – time is fleeting and passing time was a major preoccupation of Eleanor’s while working on “A Late Bloom”.

Roskamala’s upcoming EP entitled “truth she told”, is an existential narrative on the trials and tribulations of what it is like to be human and how our experiences shape who we are. One of its featured songs is “Loving Mess”, with Lia Apa, which is a vibrant and colorful pop anthem about accepting your own faults and moving confidently in the game of love.

Jesse Roper’s “Make It All Work Out" is the first of multiple energetic, fresh, soulful and r&b inspired tracks produced by famed JUNO-nominated producer Gus van Go. The forthcoming LP harkens the voices of JJ Cale, Leon Bridges, Alabama Shakes, while maintaining Roper's strong and unique expression in the genre.

Inspired by the isolation of the pandemic, which kept him from the stage where he feels most at home, Dean Ford has written a slew of new music that builds on his “Dream Fever” EP with the infectious dance-pop of “CRZMKR” and then tears everything down and introduces him to the world anew. The fuse is lit and Ford is ready to explode.

Since dropping “Hummin,” the new single off Gaten's highly anticipated mixtape, "The Glitch God", word of his skills and overall likeability has been the talk of his city — and that word is spreading fast well beyond the city limits.

Brooklyn via Berlin singer-songwriter Yvonne Ambrée returns with a brand new release 'Blue High’, lifted from the upcoming debut EP due later this year. Following on from her recent single 'Anyone Someone', 'Blue High' evokes a sense of longing and escape through forlorn, intricate melodies.

Nire Bird reveals the immersive visual for her new single “Yes Please” taken from her debut album ‘Beach Noir’. Watch our newly designated NN Music Video of the Week now.

Combining sleek production, traditional pop and modern chart sensibilities, FLØRE is sure to provide a top alternative listen with her new single ‘ALIEN’, out via Valeria Music. The song was written by FLØRE who herself feels a bit out of place in this world finding somebody that’s similar. Check out our NN Song of the Week now.

Los Angeles-based female-fronted, multi-cultural rock band Circle The Earth, has just dropped their debut EP, “Hey Goodbye”. The 8-song independent collection, features their 2022 singles “Sweetest Pain,” “New Religion” and “Too Many Pieces” and previously released singles “Diamonds” and “Dead,” as well as the title track, their new single “Hey Goodbye.”

Roon, the player for serious music lovers, has long been a darling of the audiophile world, with more than 100k subscribers. The service lets users compile files native to their device and listen side-by-side with hi-res streaming services, all in lossless quality. But its real magic comes into play when creatives harness its metadata side.

The short film for “Living in a Haze” follows a similar theme to previous releases by Milky Chance, where we find the band ensconced in a scene prepped to pop off into dance.

The music video (or, shall we say, short film) for “Demon” opens with a wide shot of Boston. Even on the streets of his adopted home, Fresh Da Zoe isn't safe; within seconds of seeing him, he's kidnapped by gangsters out to deliver his heart to their boss. The joke's on them: this cold killer ain't got one.

Dive into the multi-layered story behind the song with the music video for “Love Songs” (directed by Errand Boy and produced by Rèmi Fréyo). Strewn over a sofa behind a bleeding neon heart, we find 301icon painfully belting out his woe. In cutscenes, we see the source of his pain: toxic infidelity and dishonesty.

The thrill of young romance animates David Bradley's playful video for "I Don't Hate U," too. To suit the throwback feel of the song and the domestic theme of Daisy Brigg’s lyrics, he displays the footage through a frame that makes the whole thing look like Kodak slides come to life.

The dazzling, beautifully shot "Blood Moon" visual has the gloss of a major motion picture and the feel of a séance. The camera catches art pop artist Jessica Carter Altman in flight in a dense and chilly forest, raising a torch against looming darkness and sitting by the fireside in a remote cabin, surrounded by votive candles.

For an extra dose of sentiment, turn to the music video for "Raise Her Right." After a brief intro in which Lavon Coates calls his mom to let her know about his dream, the music picks up, and we're waltzed from scene to scene of the musician's life.