“Higher than Before” is the title track for the just released, 8-song album by Tracygirl. We’re huge fans of this song and we guarantee that you will too, so listen to it now

Shards is talented music creator from Naples, Italy who just unveiled his new single “Brought Me Here”, which deals with stages after a breakup, the moment every human over-analyses everything.

Mirroring the aesthetic of Belle VEX’s last installment, “Nobody, But Me,” the “Mania” music video positions him as an artist steadily carving out a bold signature style—one that exposes a previously unexplored, unrefined edge to his artistry.

In the “Maynard’s Song” music video, there are no black cats to be found, but black silhouettes sway and swirl with the melody as Maya Lumen and her band lose themselves in the song, like abstract visions of the notes brought to life.

In the “Keep The Feel In” music video, Michelle Galas takes to the streets, commanding them as if they’re the only streets she’s ever walked. Infused with bold visual effects, quick cuts, and shimmering cityscapes, the self-directed visual radiates an air of levity, putting her passion and positivity on full display.

Amplified by Synth’s quick cuts and vibrant aesthetic, “Take A Shot” becomes less of a command and more of a knowing nudge, an invitation to “shoot that three-pointer,” shoot that video, or take any of the chances once left on the table. The only thing that matters is tonight—and as long as the drinks keep coming, the soiree rolls on.

In the “Flavor” music video, as A-Wax 1 Million delivers his bars in graffiti-covered back alleys and parking lots stitched into Washington’s urban landscape, the air of aggression feels anything but performative. It mirrors the real-life volatility of his past—trouble, tension, and a shrug toward consequences…

In the “Not Dead Yet” music video, Ron Brunk is poised at his “magic piano,” but he seems more interested in singing to himself than the viewer; his back is to the camera for the first 20 seconds. It’s the first taste of the ridiculous, hilarious escape that only Ron Brunk could create...

If this doesn’t make you want to move, check your pulse. Brand new on NxtNow Music is Damon Omen’s “Let’s Go”, a very dope track that is built for hustlers who don’t wait on motivation, featuring Jerk Da Work.

“Eyeliner” is the exciting second single from Freya and The Vikings, an Aussie 7 piece rock band with 3 lead female vocalists and a powerhouse instrumental section.

To kick off the new year, Anaïs & The Hoops unveils the music video for "Growing Pains," a standout track from her debut EP of the same name. With "Growing Pains," Anaïs explores love through the lens of friendship.

Long-distance indie rock group Perfect Weather For Humans kick off 2026 with a hook-driven new single “Measure For Measure”. Taking revenge fantasies as its jumping off point, “Measure For Measure” melds roiling emotions with the expansive PWFH sound to create one of the group’s most visceral outings yet.

Tony Luke Jr is a talented singer-songwriter who recently released his 10-track album entitled “Songs of Reflection”. One of the featured songs on the project is “Forever and a Day”, and we’re excited to share it with you now.

The "Rewrite the Past" music video quite literally shines a spotlight on the performers at their best—grooving like nobody’s watching, feeling the vibrations through the floorboards, and working together to breathe life into this moody, irresistible tale.

The vibrant “The Guitar Man” music video, directed by filmmaker Joe Rubenstein, bottles the electricity of being in the crowd at a Pink Floyd or Radiohead performance—that transcendent moment when the performers give everything, and the sound hits so hard, so completely, it feels like liftoff.

It’s the first taste of the off-kilter atmosphere brought to life in collaboration with Madison filmmaker Claudia Krogmeier, a specialist in experimental visual storytelling, whose open-ended narratives steeped in metaphor and surrealism prove the perfect partner to expand the scope of the “Subtle Hurts” music video.

As Tasevski-Fitz steps into the role of one of these clout-chasers, anyone who spends time on social media will find the playful, over-dramatized scenarios in the “#FollowMe” music video eerily familiar—from the cleverly-angled livestream setups…

BOSCO opens the “One Goodbye” music video with a striking quote: “The wound is the place where the Light enters you.” In his poems, Rumi often explored love, spirituality, sorrow, passion, and loss—illuminating the human condition and the beauty of connection.

Teaming up with director Nayip Ramos and a team of like-minded creatives, hachajah gives form to the inner workings of the human mind, unearthing a desolate reality smothered in dirt, grime, doom, and gloom.

The plush melodrama of “Still Want To Go On” practically begs for a romantic montage, and the music video delivers exactly that. Opening with a black-and-white shot of a pair of lovers sprinting in tandem across the sand…